← Back to archive

Jet Li, AI, and the Future of Human IP

Jet Li and generative AI. Seraph's role in The Matrix Reloaded was originally meant for Jet Li. But he turned it down. Why? Because the studio wanted to digitally capture and own his martial arts choreography. Basically, they’d own his moves forever.

It wasn’t about the money or fame - he said no because they’d be taking the essence of his craft and repackaging it endlessly. “We martial artists can only grow older,” he said. “They could own (my moves) as intellectual property forever.” That feels more relevant today than it did 20 years ago.

Artists, writers, designers - all wondering: who owns the work when it’s trained into a model? Or when a digital twin starts replacing them? It’s no longer about just producing work. It’s about your taste, worldview, and judgment - the way you think becoming more valuable than what you make. Your process becomes the product.

There's a line about turning foundational skills into “plugins” for AI—imagine integrating a strategist’s way of thinking into your product, or licensing a novelist’s unique narrative voice. We're talking less about job titles and more about modular human intelligence.

In a world where AI can generate anything, your irreplaceable asset becomes how you do things - your experiences, your judgment, your weird little quirks. That’s the moat. That’s the IP.

Jet Li, AI, and the Future of Human IP

Originally posted on X

PS: I'm pretty active on 𝕏 if you'd like to follow along

Archive

2026

2025

2024

2018